Andr
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Alexander Kluge
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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伊恩·邦霍特,皮特·艾德盖
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前所未见的家庭影片和非凡的个人档案揭示了克里斯托弗·里夫是如何从默默无闻的演员成为终极银幕超级英雄的标志性电影明星的。 克里斯托弗·里夫在一次悲惨事故中四肢瘫痪，只能依靠呼吸机呼吸，此后他作为一名活动家领悟到了英雄主义的真谛。 电影制作人伊恩·邦霍特（Ian Bonhôte）和彼得·埃特迪吉（Peter Ettedgui）巧妙地将时间前后推移，编织出双重叙事，探讨了克里斯托弗·里夫职业生涯中两个关键时刻对人生的改变：1978年出演《超人》和1995年瘫痪。 在超级英雄席卷影院的几十年前，里夫让世界相信人类可以飞翔；他的意外事故让全世界关注残疾。 在《超/人》中，里夫的亲友对事故前后的生活的反应非常真诚。 这部影片深深地打动了观众，突出了超人背后的那个人——这不是一部传记，而是一幅完整的肖像，涵盖了里夫人生旅途中的辉煌和黑暗。
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瑞安·马查多
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In every movie that he watches, 16-year-old Andoy creates narratives that could help him find answers to the questions that have always bothered him: Who is he and who is his father? While the truth remains elusive, his imaginings remain unrealized until two movie-like characters appear in their barrio - Ariel, a hairdresser who lures young men with his inexplicable charm, and Isidro, a mysterious, long-haired man who owns a VCD player. Andoy finds himself entranced with Ariel and Isidro and begins to spend intimate time with them. As he gets entangled with their twisted lives, his reality becomes mystified. Just like the movies, Andoy must decide whether to conclude his years-long search for his father with a bang or with a whimper.
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Carlos Goitia,Guillermo Lockhart,Andrés Borghi
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Ateamofinfluencerbloggersdecidestoholdaritualatthemansionofthe"blackcountess".Afanofthesupernatu向日葵视频在线观看免费ral,shedisappearedwithoutatraceaftershewasofferedtoplayagamethatwassupposedtotakehertoanotherdimension.ByevokingthespiritoftheCountess,bloggersletotherworl舒淇的不雅电影dlyforcesintotheworld.Theonewhocanbringthedemonsbackwillsurvive.
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恩斯特·德吉尔
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Vera and André are a couple who get the chance to pitch their business at a prestigious competition. Before the competition, luca韩剧Vera tries hypnotherapy沙漠之心 to quit smoking, with an unexpected side effect: she loses all social inhibitions. André has a hard time dealing with this. When it risks ruining his 英雄联盟大脚战斗力查询career, he’s torn between accepting her new personality and taking drastic measures to make her stop.
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安德烈·科林考夫,阿列克谢·特斯蒂斯林
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2012国语免费完整视频播放影片讲述了凯和格尔达生活在一个安静舒适的小镇上，几个强大的冰怪物突然降临到这个小镇，冻结了所有的居民，但是，冰雪公主伊拉挺身而出，和伙花季传媒app下载免费伴们一起最终再次封印了冰怪物们，整个小镇的居民们也终于从冰冷的束缚中解放出来的故事。
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安德烈·科林考夫,阿列克谢·特斯蒂斯林
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影片讲述了凯和格尔达生活在一个安静舒适的小镇上，几个强大的冰怪好妈妈在线观看完整版中文神马物突然降临到这个小镇，冻结了所有的居民，但是，冰雪公主伊拉挺身而出，和伙伴们一起最终极品公爵再次封印了冰怪物们，整个小镇的居民们也终于从冰冷的束缚中解放出来的故事。
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米兰·赫伊洛夫
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Based on the Edgar Aw二宫沙树ard-winning, nine-book “Karl Alberg” series by the late Canadian author L.R. Wright, Murder in a Small Town follows Karl Alberg (Sutherland), who moves to a quiet coastal town to soothe a psyche that has been battered by big-city police work. But this gentle paradise has more than its share of secrets, and Karl will need to call upon all the skills that made him a world-class detective in solving the murders that, even in this seemingly idyllic setting, continue to wash up on his shore. Kreuk stars as Cassandra, a local librarian who becomes A私密按摩师中文在线观看lberg’s muse, foil and romantic interest.
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Marla Sokoloff
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Carrie and Justin Palmer are the perfect couple to everyone around them. Or so it seems. They recently celebrated ten years o贞节牌坊下的女人f marriage and are talking about starting a family. After a wine filled evening, Carrie's girlfriends press her to share who her "hall pass" would be. Carrie admits that博直播 she has had a crush on famed rocker, Dante Jones, since she was in college but would never betray Justin if given the opportunity. After a business trip to Vegas and a chance meeting with Dante himself after his concert, her obsession suddenly becomes his. Carrie does everything in her power to keep her secret away from her friends and more importantly, Justin, but Dante传世私服加速外挂's stalking and relentless infatuation becomes all-consuming and far too dangerous to hide.