Lu
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Charles Jarrott
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英文：The Other Side Of Midnight 中文：午夜情挑 导演：Charles Jarrott 主演：苏珊·萨兰登 约翰·贝克 雷夫·瓦郎 类型：剧情/爱情 地区：美国 上映：1977年10月21日 西德尼·谢尔顿以塑造一系列的“自强不息、与社会作决死拼斗的女性”而著称，《午夜情挑》是他的第二部小说，1977年被改编成电影。故事里面的 Noelle Page，就是这么一个不惜一切代价和社会斗争的女性，只是，在抗争中她彻底的丢失了她的价值。她的生命的全部目的，是复仇，而复仇的背后，是渴望那个绝望时瞬间照亮过自己的太阳。可惜，命运并没有偏向于迷失了自己的Noelle。 Catherine是另一种悲剧。女孩子们总是热衷于花花公子，甘愿迷失和上当，有时候明知他说的这一套，和他与别的女人说的一样，而他今天说给你的，明天也一定会再说给别人，这样也不能拒绝，幻想自己是一个特例——他当然说你是唯一的你是不一样的。即便今天我们的周围，这样的例子也是在日日上演，甚至正在上演，面对这些悲剧和即将发生的悲剧，也只能哀其明明知道不幸，却又自以为是的不争。 片中有两个女性都很失败，男主角的结局也是罪有应得。主要人物里，有两个却在这个时代里获得成功。一个是Catherine的公关公司老板，他周旋于正要之间却有自己的原则，不受于各种诱惑；另一个是希腊大亨，他心胸狭窄，睚眦必报，最后整死了背叛他的人。在利用和被利用的社会关系里，西德尼希尔顿展现出强烈的社会达尔文气息。 本片由女星苏珊·萨兰登主演，在好莱坞众多女明星中，苏珊·萨兰登可以说是最独特的一个。她从影时间极长，却大器晚成。命运总是与她擦肩而过，她早已成为大众心目中的明星影后，但奥斯卡大奖却屡屡不垂青于她。在她年岁已高之时，反而终获殊荣。苏珊·萨兰登的身上始终散发着一种优雅温和而不造做，含蓄内敛却又非常坚毅的特质，那是做为一个女人所特有魅力所在，而苏珊把它发挥到了极致，在这个浮躁的世界中，我已无法用言语来形容我的赞赏……
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Luis Urquiza
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When 13-year-old seminarian Sacramento Santos joins a new order, he hopes to rise through levels of obedience to “Perfect Obedience”. But this progression proves to be more than just a spiritual journey. Sacramento is adopted by the order's founding father, Ángel de la Cruz, and over the course the year they fall in love and surrender to the most intense, blissful, and contradictory episode of their lives. Years later, older and wiser, Sacramento leaves the order regretting that episode, and he decides to seek justice from his old tutor.
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安德烈斯·拜斯
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Colombian music icon Juanes plays Moisés, the eldest of three brothers plying this perilous trade and the linchpin of the operation, while Alberto Guerra delivers a compelling performance as Ulises, a man paralyzed by conflicting decisions and haunted by fear and grief. When Juan (Alejandro Speitzer) — the youngest of the brothers — is coerced into working for a more powerful, rival criminal organization, the shocking underbelly of the business is laid bare and there are tragic consequences.
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内详
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珀西在平安夜发现了一封不小心落在圣诞老人邮车里的孩子的信后，必须追踪圣诞老人。平安夜，珀西发现一封孩子写给圣诞老人的信被遗忘在他的邮车底部，但他决心纠正错误，即使这意味着要找到圣诞老人本人。在托马斯和他的朋友们的帮助下，珀西经历了令人眼花缭乱的游行、香甜的姜饼烘焙和漫天飞舞的雪花，寻求将信交给圣诞老人并实现孩子的圣诞愿望。
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提莫·塔哈亚托
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在逃离恶魔恐怖的两年后，阿尔菲（切尔西·伊斯兰）校花的贴身保镖txt全集下载和奈良（哈迪亚·沙哈卜）试图继续他们的生活。但是阿尔菲仍然感到内和不自然的视线困扰。阿尔亚洲偷偷自拍高清菲最可怕的噩梦才刚刚开始，等待她的危险正日益威胁着：如此渴望灵魂的黑暗形象开始夺去他们的生命。
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Lucie Guest
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Avery is an unadventurous schoolteacher whose sister secretly signs her up for The Great Holiday Dash, a Christmas-themed reality competition show where she's paired with former hockey player Wes. Despite clashing at first, Avery's puzzle-solving skills and Wes' physical prowess help them excel as they travel from city to city and compete in festive feats that have a local flavor. It's not long before a real connection between these opposites begins to blossom. But when Avery overhears a conversation between Wes and a show producer it threatens to derail their budding romance. Keeping their eyes on the prize, the duo continues to dash to the finish line but there may be a more personal adventure for them still in store.
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Alix Austin,Keir Siewert
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When Dakota tries to break off her toxic relationship with Axel, it starts transforming him into a monstrous creature. He gradually succumbs to the poison of the decaying relationship, becoming a creature with increased aggression, a touch that melts skin and worst of all, he's contagious.
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Alexander Kluge
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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Eloy de la Iglesia
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Sex and politics collide in this harrowing, hard-hitting tale of forbidden love, blackmail and murder. Set up by the secret police to compromise a prominent politician, a teenage hustler discovers himself passionately in love with the man he must betray. Written by Jim Stark A rising politician risks his career and his marriage when his homosexual desires are reawakened following a hospital visit. At first he's safe enough with one night stands with young rent boys chosen by a discreet hustler that he met in the hospital. But, when he falls for one of the boys he meets and starts bringing the young man into his family, the risks escalate. What he does not know is that the political opposition knows of his vice and have planted the boy.